000			03127nam a2200373 4500
001			19013952
003			OSt
005			20191223152626.0
008			191223b xxu||||| |||| 00| 0 eng d
010			_a 2015045807
020			_a9780262534529 (pbk.) : _c$19.95
020			_a9780262034791 (hardcover : alk. paper)
040			_aDLC _beng _cDLC _erda _dDLC
042			_apcc
082	0	0	_a384.38 _223
100	1		_aSmith, Michael D., _d1968- _eauthor.
245	1	0	_aStreaming, sharing, stealing : _bbig data and the future of entertainment / _cMichael D. Smith and Rahul Telang.
264		1	_aCambridge, Massachusetts : _bMIT Press, _c[2016]
300			_axi, 215 p.; _c24 cm
336			_atext _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
365			_aUSD _b$19.95 _c$ _d1 USD = 75.10 INR
500			_aIncludes index.
520			_aHow big data is transforming the creative industries, and how those industries can use lessons from Netflix, Amazon, and Apple to fight back. “[The authors explain] gently yet firmly exactly how the internet threatens established ways and what can and cannot be done about it. Their book should be required for anyone who wishes to believe that nothing much has changed.” —The Wall Street Journal “Packed with examples, from the nimble-footed who reacted quickly to adapt their businesses, to laggards who lost empires.” —Financial Times Traditional network television programming has always followed the same script: executives approve a pilot, order a trial number of episodes, and broadcast them, expecting viewers to watch a given show on their television sets at the same time every week. But then came Netflix's House of Cards. Netflix gauged the show's potential from data it had gathered about subscribers' preferences, ordered two seasons without seeing a pilot, and uploaded the first thirteen episodes all at once for viewers to watch whenever they wanted on the devices of their choice. In this book, Michael Smith and Rahul Telang, experts on entertainment analytics, show how the success of House of Cards upended the film and TV industries—and how companies like Amazon and Apple are changing the rules in other entertainment industries, notably publishing and music. We're living through a period of unprecedented technological disruption in the entertainment industries. Just about everything is affected: pricing, production, distribution, piracy. Smith and Telang discuss niche products and the long tail, product differentiation, price discrimination, and incentives for users not to steal content. To survive and succeed, businesses have to adapt rapidly and creatively. Smith and Telang explain how. taken from Publisher's site.
650		0	_aStreaming technology (Telecommunications)
650		0	_aData transmission systems.
650		0	_aBig data.
650		0	_aMotion pictures.
700	1		_aTelang, Rahul, _eauthor.
856			_3Publisher's Description _uhttps://mitpress.mit.edu/books/streaming-sharing-stealing
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cM
999			_c12715 _d12715