Representation / (Record no. 12896)
[ view plain ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 09165nam a22005057a 4500 |
| 001 - CONTROL NUMBER | |
| control field | 17476521 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20210929112835.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 120927s2013 caua b 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 2012950346 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 1849205639 (pbk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781849205634 (pbk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 1849205477 (Cloth) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781849205474 (Cloth) |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)ocn842411043 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | CDX |
| Language of cataloging | eng |
| Transcribing agency | CDX |
| Modifying agency | YDXCP |
| -- | EUM |
| -- | OCLCO |
| -- | UAB |
| -- | OCLCQ |
| -- | NGU |
| -- | OCLCQ |
| -- | ZWZ |
| Description conventions | rda |
| Modifying agency | DLC |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | lccopycat |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 306 |
| Edition number | 23 |
| 245 00 - TITLE STATEMENT | |
| Title | Representation / |
| Statement of responsibility, etc. | edited by Stuart Hall, Jessica Evans and Sean Nixon. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | Second edition. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Los Angeles : |
| Name of producer, publisher, distributor, manufacturer | Sage ; |
| Place of production, publication, distribution, manufacture | Milton Keynes, United Kingdom : |
| Name of producer, publisher, distributor, manufacturer | The Open University, |
| Date of production, publication, distribution, manufacture, or copyright notice | [2013] |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | xxvi, 410 p. : |
| Other physical details | illustrations ; |
| Dimensions | 24 cm |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | unmediated |
| Media type code | n |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | volume |
| Carrier type code | nc |
| Source | rdacarrier |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references and index. |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Representation, Meaning and Language Making Meaning, Representing Things Language and Representation Sharing the Codes Theories of Representation The Language of Traffic Lights Summary Saussure's Legacy The Social Part of Language Critique of Saussure's Model Summary From Language to Culture: Linguistics to Semiotics Myth Today Discourse, Power and the Subject From Language to Discourse Historicizing Discourse: Discursive Practices From Discourse to Power/Knowledge Summary: Foucault and Representation Charcot and the Performance of Hysteria Where is the 'Subject'? How to Make Sense of Velasquez' Las Meninas The Subject of/in Representation Conclusion: Representation, Meaning and Language Reconsidered READING A: Norman Bryson, 'Language, reflection and still life' READING B: Roland Barthes, 'The world of wrestling' READING C: Roland Barthes, 'Myth today' READING D: Roland Barthes, 'Rhetoric of the image' READING E: Ernesto Laclau and Chantal Mouffe, New reflections on the revolution of our time READING F: Elaine Showalter, 'The performance of hysteria' Frances Bonner RECORDING REALITY: DOCUMENTARY FILM AND TELEVISION Introduction What Do We Mean By 'Documentary'? Non-fiction Texts Defining Documentary Types of Documentary Categorising Documentary Alternative Categories Ethical Documentary Film-making Dramatisation and the Documentary Scripting and Re-enactment in the Documentary Docudrama Documentary - An Historic Genre? 'Postdocumentary'? Docusoaps Reality TV Natural History Documentaries Documenting Animal Life Conclusion READING A: Nichols Bill, 'The Qualities of Voice' READING B: John Corner, 'Performing the real: documentary diversions' READING C: Derek Bousé, 'Historia Fabulosus' Henrietta Lidchi THE POETICS AND THE POLITICS OF EXHIBITING OTHER CULTURES Introduction Establishing Definitions, Negotiating Meanings, Discerning Objects Introduction What is a 'Museum'? What is an 'Ethnographic Museum'? Objects and Meanings The Uses of Text Questions of Context Summary Fashioning Cultures: The Poetics of Exhibiting Introduction Introducing Paradise Paradise Regained Structuring Paradise Paradise: The Exhibit as Artefact The Myths of Paradise Summary Captivating Cultures: The Politics of Exhibiting Introduction Knowledge and Power Displaying Others Museums and the Construction of Culture Colonial Spectacles Summary Devising New Models: Museums and Their Futures Introduction Anthropology and Colonial Knowledge The Writing of Anthropological Knowledge Collections as Partial Truths Museums and Contact Zones Art, Artefact and Ownership Conclusion READING A: John Tradescant the younger, 'Extracts from the Musaeum Tradescantianum' READING B: Elizabeth A. Lawrence, 'His very silence speaks: the horse who survived Custer's Last Stand' READING C: Michael O'Hanlon, 'Paradise: portraying the New Guinea Highlands' READING D: James Clifford, 'Paradise' READING E: Annie E. Coombes, 'Material culture at the crossroads of knowledge: the case of the Benin "bronzes'" READING F: John Picton, 'To see or Not To See! That is the Question' Stuart Hall THE SPECTACLE OF THE 'OTHER' Introduction Heroes or Villains? Why Does 'Difference' Matter? Racializing the 'Other' Commodity Racism: Empire and the Domestic World Meanwhile, Down on the Plantation ... Signifying Racial 'Difference' Staging Racial 'Difference': 'And the Melody Lingered On...' Heavenly Bodies Stereotyping as a Signifying Practice Representation, Difference and Power Power and Fantasy Fetishism and Disavowal Contesting a Recialized Regime of Representation Reversing the Stereotypes Positive and Negative Images Through the Eye of Representation Conclusion READING A: Anne McClintock, 'Soap and commodity spectacle' READING B: Richard Dyer, 'Africa' READING C: Sander Gilman, 'The deep structure of stereotypes' READING D: Kobena Mercer, 'Reading racial fetishism' Sean Nixon EXHIBITING MASCULINITY Introduction Conceptualizing Masculinity Plural Masculinities Thinking Relationally Invented Categories Summary Discourse and Representation Discourse, Power/Knowledge and the Subject Visual Codes of Masculinity 'Street Style' 'Italian-American' The Genre Product Genre and Mass-produced Fiction Genre as Standardization and Differentiation The Genre Product as Text Genres and Binary Differences Genre Boundaries Signification and Reference Cultural Verisimilitude, Generic Gerisimilitude and Realism Media Production and Struggles for Hegemony Summary Genres for Women: Te Case of Soap Opera Genre, Soap Opera and Gender The Invention of Soap Opera Women's Culture Soap Opera as Women's Genre Soap Opera's Binary Oppositions Serial Form and Gender Representation Soap Opera's Address to the Female Audience Talk vs. Action Soap Opera's Serial World Textual Address and the Construction of Subjects The Ideal Spectator Female Reading Competence Cultural Competence and the Implied Reader of the Text The Social Audience Conclusion Soap Opera: A Woman's Form No More? Dissolving Genre Boundaries and Gendered Negotiations READING A: Tania Modleski, 'The search for tomorrow in today's soap operas' READING B: Charlotte Brunsdon, 'Crossroads: notes on soap opera' READING C: Su Holmes and Deborah Jermyn 'Why not Wife Swap? Index 'Conservative Englishness' Summary Spectatorship and Subjectivization Psychoanalysis and Subjectivity Spectatorship The Spectacle of Masculinity The Problem with Psychoanalysis and Film Theory Techniques of the Self Consumption and Spectatorship Sites of Representation Just Looking Spectatorship, Consumption and the 'New Man' Conclusion READING A: Steve Neale, 'Masculinity as spectacle' READING B: Sean Nixon, 'Technologies of looking: retailing and the visual' Christine Gledhill with Vicky Ball GENRE AND GENDER: THE CASE OF SOAP OPERA Introduction Representation and Media Fictions Fiction and Everyday Life Fiction as Entertainment But is it Good For You? Mass Culture and Gendered Culture Women's Culture and Men's Culture Images of Women vs. Real Women Entertainment as a Capitalist Industry Dominant Ideology, Hegemony and Cultural Negotiation The Gendering of Cultural Forms: High Culture vs. Mass Culture Genre, Representation and Soap Opera The Genre System |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Since 1997 Representation has been the key go-to textbook for students learning the tools to question and critically analyze institutional and media texts and images. This long-awaited Second Edition: • update and refreshes the approach to theories of representation by signalling key developments in the field • addresses the emergence of new technologies and formats of representation, from the internet and the digital revolution to reality TV • includes an entirely new chapter on celebrity culture and personalisation, to debates about representation and democracy, and involve illustrations of an intertextual nature, cutting across various technologies and formats in which 'the real' or the authentic makes an appearance • offers new exercises, new readings, new images and examples for a new generation of students This book will once again prove an indispensible resource for students and teachers in cultural and media studies. taken from Publisher's website. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Culture. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Representation (Philosophy) |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Social perception. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Culture. |
| Source of heading or term | ram |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Représentation (philosophie). |
| Source of heading or term | ram |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Représentations sociales. |
| Source of heading or term | ram |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Culture |
| General subdivision | Aspect psychologique. |
| Source of heading or term | ram |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Ethnicité. |
| Source of heading or term | ram |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Identité sexuelle |
| General subdivision | Anthropologie. |
| Source of heading or term | ram |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Hall, Stuart, |
| Dates associated with a name | 1932-2014. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Evans, Jessica. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Nixon, Sean, |
| Dates associated with a name | 1966- |
| 906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) | |
| a | 7 |
| b | cbc |
| c | copycat |
| d | 3 |
| e | ncip |
| f | 20 |
| g | y-gencatlg |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Source of classification or shelving scheme | |
| Koha item type | Monograph |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Materials specified (bound volume or other part) | Damaged status | Not for loan | Permanent Location | Current Location | Shelving location | Date acquired | Source of acquisition | Cost, normal purchase price | Inventory number | Full call number | Barcode | Date last seen | Copy number | Cost, replacement price | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| pbk. | Indian Institute of Management Udaipur | Indian Institute of Management Udaipur | A3/3 | 2021-08-25 | 23 | 2985.00 | 61805 - 22/06/2021 | 306 HS | 005174 | 2022-12-30 | 1 | 3980.12 | 2021-08-25 | Monograph |